A collection of various reviews (mostly obscure music), collages, mail art, drawings, poems. My own, little slice of paradise if you will.
Thursday, 31 December 2015
Moby – play (CD)
I discovered Moby circa
1995-1996. During that period he was doing techno music. I remember when this
album came out. It was worldwide success. Everybody recalls his numerous hits,
`honey`, `find my baby`, `porcelain`, `why does
my heart feel so bad?`, `south side (with Gwen Stefani)`,
`bodyrock`, `natural blues` and `run on`. I bought this at
Renaissance Montréal for like two dollars. I never heard this CD in it`s
entirety. I wanted to know two things. Aside from the obvious hits, are there
any songs worth my while? Like brown rhum, did it age well? Does it sound dated
like similar electronic music. `Play` came out in 1999 after all. To be
honest even today it sounds great. Here are non-hit songs forgotten audio gems
if you will that are definitely worth a listen or two:
6 – Rushing (3.00
minutes) = instrumental, deeply melancholic (in a non-gothic way)
downtempo.
10 - ? (1.01 minutes) =
short & sweet pop instrumental electronic / downtempo.
12 – Down slow (1.34) =
synth + piano meets looped a breakbeat sample. Simple yet highly
efficient.
15 – Inside (4.48
minutes) = minimal downtempo electronic music, now I`m chilling out
here.
16 – Guitar Flute &
string (2.09) = ambient / minimal, lo-fi at times electronic music. The
track which doesn`t belong here. Definitely a classic album, highly recommended.
Available everywhere, this is commercial music. Get your news here: http://www.moby.com/
Julien Rochedreaux (various zines)
I recently got a
small parcel (full of cool zines) courtesy of my French compatriot Julien
Rochedreaux. A small notice for my readers, if you contact Julien you have
to write him in French. He speaks minimal English therefore all his zines are
written en français (French language). That being said, here`s a brief
description of his zines:
Uchrobonux #
2: 8.5 by 11 cut & paste four pages long zine. Julien answers letters
from his readers and talks about his music tastes.
Uchrobonux #
3: a black and white, cut & paste, 8.5 by 11 two pager. This time around
it`s zine reviews galore.
Mine De Rien #
8: a 8.5 by 11 inch one pager, folded in four, handwritten poetry zine.
There`s some nice art and collages (wicked shemale picture
included).
Uchronique de
zine # 2: this is a half-size, cut & paste, black & white eight
pages zine. A collection of zine reviews, mostly in French with a couple ones in
English. There`s a small review of the now defunct Baitline zine. I
always wanted to see what it looked like. Anyways, Baitline folded along
the late and great Node Pajomo. Contact address just about here:
Julien Rochedreaux
Baixada Del Moli 39
AD500
Andorra
Breakdown – compilation (CD)
This compilation came out in
1999 on 4AD. I was fortunate enough to get a copy at Renaissance
Montréal for a toonie (2.00 $ Canadian). I always enjoy hearing
compilations. It`s a nice way to discover new bands / artists. A nice and long
compilation (14 tracks = 64.19 minutes). There`s various music styles at work:
beautifully crafted ethereal indie (Michael Brook), country / indie
ballad (Brendan Perry, Kristin Hersh), dream pop (Cocteau Twins,
The Hope Blister, Lakuna), indie rock (Cuba, Pixies,
His Name Is Alive, The Breeders), downtempo loungy
electronic music (Thievery Corporation), synthpop (Gus Gus),
country / folk rock (Mojave 3), and minimal indie rock (Red House
Painters). Recommended if you can find it. Another well invested
toonie.
Hiroshima Yeah! # 130 – December 2015 (Zine)
This is a cut
& paste, black & white, 8.5 by 11 inches, photocopied monthly zine. I`m
biased here, Hiroshima Yeah! Is one of my favorite zines, along the late
and great Node Pajomo. Gary Simons does an amazing cover (old
school sci-fi kinda 2001 A space Odyssey, it looks like old sci-fi pulp
magazines, nice job). On the second page we have poetry `passion, caution,
timing `department. Standout poems of the moment are:
Nostalgia
wank
Looking through
old VHS tapes
Before tossing
them in the bin,
Seeing if anything
inspires
A nostalgia
wank
But nothing
does.
And
Alistair
Ramone
You are
young,
Loud,
Drunk,
But one day you
will
Be one of the
people
On the
periphery.
One of
us,
There`s some
music, concerts (Fidler, The Garage, Glasgow, 12-11-2015 and Legendary
Shack Shakers, Broadcast, Glasgow, 12-11-2015), and DVD reviews. Last but
not least there`s some short stories included: `13.82 billion years of
hell` (Gary Simmons, do I need to say more), `robots
to Pluto ` (more from da man, Gary Simons), `some days`(Mark
Ritchie), and `doctor Thornaby `(nice and weird, just the way I like it).
Contact here:
Mark Ritchie
94 main street
Forth
Lanark
M L
11 8AB
UK.
Hiroshima Yeah! # 129 – November 2015 (Zine)
In case you didn`t know HY! Is a
8.5 by 11 inches, black & white, cut & paste monthly zine. The cover is
a cool foot drawing by Dr. Adolf Steg. We open things up with poetry for
`when desire becomes despair`. Standout poems are;
Pulse
For 30 years or
more,
I have been
staring
Out of
windows
Watching scenery rush
past,
hooked up to
hooked up to
Lifesaving
songs
Via headphones,
earphones,
Walkmans, mp3
players.
For some of
us,
Music doesn`t merely
add
A dash of
colour
To an otherwise grey
world;
For some of us
It is a
saviour,
A sanctuary
And the very
pulse
Of life
itself.
And
Normal for a
moment
I was normal for a
moment
I remember
it:
Chatting with
workmates
Over lunch
About the
weather,
About pension
plans,
Able to cope
With the
shit
That life throws at us
all.
But is it really
normality
I crave
Or a wild,
wonderful
Reckless
abandon
Or is it
something
In between?
And
Today`s dark thought #
12
She`s pregnant,
And pushing a
pram,
Fag hanging out of her
mouth,
And I think,
Where`s Charles
Manson
When you need
him?
Then there`s our usual monthly
instalments of:
A - `13.82 billion years of
hell ` = Gary Simmons weird / rude / schizophrenic / psychotic
ratings.
B - `Dylan Summer `=
texting madness with Mark Ritchie + Gary Simmons and
Pamela.
C - `Doctor Thornaby ` =
you have to read it to believe it. There`s a plethora of music, concert (Doug
Stanhope) and book reviews. Mark Ritchie writes a nice, slightly warped
short story named ` Locked room`. Contact here:
Mark Ritchie
94 main
street
Forth
Lanark
M L 11 8AB
UK.
Friday, 18 December 2015
GusGus VS T-World - GusGus VS T-World (CD)
GusGus is a band from Reykjavík, Iceland. Iceland, the country of Bjork, Sigur Rós and The Sugarcubes. T-World was the pre-GusGus project of Biggi Veira & Herb Legowitz. They disbanded in 1995 in order to form
GusGus. There`s 7 tracks for a total running time of 54.46
minutes. I do a little research. They have three recordings available. A single
(vinyl, 12", 33
⅓ RPM, Promo), an EP and this self-titled album. They
called their music ambient house. After numerous listens, I have to disagree
with them. The songs are all different in styles. They`re a mixture of
electronic, dub techno, minimal house, electro, and downtempo. This album came
out in 2000 and still sounds good today, a rare treat in modern music industry.
Standout tracks this time around are:
4 – purple (9.20 minutes)
= electro + progressive house = it`s on like Donkey Kong on the
dance floor baybee!
5 – rosenberg (6.27
minutes) = dub techno + dark techno / electro = pure aural bliss.
I like this and you should. I
mean, if you`re into electronic music or if you`re a little bit curious / with
an open mind / ear. Otherwise keep your FM radio station on. To think I bought
this gem at Renaissance Montréal for a measly two dollars (cheaper than a
pack of smokes). Get your info here: https://www.oz.com/gusgus
Thursday, 17 December 2015
Printed Caves – Printed Caves (CD)
Printed Caves
are Ali Lubbad (lead vocals, guitars, trap set and Arabic
percussion), and Mike Kashou (oud, bass, Arabic percussion, trumpet,
piano and background vocals). There`s also a lot of guess musicians on this
album. Printed Caves come from Milwaukee, Wisconsin, USA.
The music blends western experimentations with Middle Easter traditions. I was
hoping it would sound like Muslimgauze (electronic / techno music + noise
+ Arabic percussions / vocal samples = sonic bliss). Boy was I wrong here folks.
There`s 10 tracks for a total running time of 34.00 minutes). Their music is a
weird but potent mix of folk, blues, country, traditional rock with psychedelic
grooves on the side, thus generating a highly hypnotic mood. You don`t need
drugs here. This album is the ultimate legal drug. It sounds like a jam session
between traditional Middle Easter musicians, Lead Belly, Blind
Willie McTell, Simon & Garfunkel, Country Joe & The
Fish and Neil Young. More information here:
Wednesday, 16 December 2015
Loosely based on a dream
Souvenirs
François Marceau (15-12-2015)
Rodney was driving his car full speed ahead
Why are you going so fast man?
I`ve made a terrible mistake Jerry
Brenda?
Brenda yes
She`s gonna get married in Vegas with Tom
I thought you broke up six months ago
She broke up with me because I didn`t want to marry her
I didn`t realize
How much I love her until now
I`m such a moron
I have to tell her how I feel
Before it`s too late
I think she still loves me
All she asked was commitment
I`m such a moron
Don`t drive so fast you`ll kill us all
I DON`T CARE!
We have to get there at all cost
The gas tank is full
We`re passing through Death Valley
If I keep driving like this
We should arrive in Vegas in about twenty minutes
Fifteen minutes if I drive faster
I don`t see any cops in sight
The road is ours to take
Let`s rock
I push the gas pedal
We`re burning rubber
RODNEY LOOK OUT|
Too late
RODNEY WAKE UP MAN!
What?
Where are we?
We`re still in Death Valley
Your car`s a total wreck
It`s a miracle we`re still alive
We both jumped out of the car before falling off the cliff
My safety belt was on
Me too
It`s a miracle than
Thank God!
We still have to reach Vegas
They`re getting married at the Luxor
The Egyptian theme casino?
Exactly
What a classy place
Sure is
A classy woman deserves a classy wedding
I`m such a moron
We all make mistakes my friend
I know but still
How long have we been walking?
I don`t know an hour perhaps
Let me look at the time
Damned I lost my watch
What time is it Rodney?
Gimme a second
Holly crap my watch is missing too
Doesn`t matter
We have to get there
Let`s go
You know Jerry
This is weird
What`s weird we`re in Death Valley
The sun is blazing
I`m not sweating
Me neither
Maybe it`s not so hot right now
Could be
The road seems to go on forever
There`s mountains around us
No wind
No sound
Nothing at all
It`s so peaceful man
I know
Feels like heaven here
Heaven in Death Valley?
I know sounds strange
Indeed
Where are we going Rodney?
We are going to…
Las Vegas that`s it
What for?
For…
Brenda that`s it
Have to tell her how much I love her
I have to get there at all costs
If it`s the last thing I do
I understand
Let`s go
We`re walking
And walking and walking
We don`t seem to be going nowhere
How long have we been walking Jerry?
I don`t know man
Where are we going?
We are going to…
Brenda that`s it
What for?
I have…
I have to see her one last time before I go
You do understand that Jerry
ARE YOU LISTENING TO ME?
I turn around
Jerry`s gone
JERRY!
JERRY!
WHERE ARE YOU MAN?
This is not funny man
Where are you?
Forget it
Gotta keep walking
And reach
Reach…
Love
Brenda I…
Love…
You so…
Much…
BRENDA!
Maybe there`s no heaven
Maybe there`s no hell
Perhaps
We`re all souvenirs
Destined to slowly fade away and disappear…
François Marceau (15-12-2015)
Rodney was driving his car full speed ahead
Why are you going so fast man?
I`ve made a terrible mistake Jerry
Brenda?
Brenda yes
She`s gonna get married in Vegas with Tom
I thought you broke up six months ago
She broke up with me because I didn`t want to marry her
I didn`t realize
How much I love her until now
I`m such a moron
I have to tell her how I feel
Before it`s too late
I think she still loves me
All she asked was commitment
I`m such a moron
Don`t drive so fast you`ll kill us all
I DON`T CARE!
We have to get there at all cost
The gas tank is full
We`re passing through Death Valley
If I keep driving like this
We should arrive in Vegas in about twenty minutes
Fifteen minutes if I drive faster
I don`t see any cops in sight
The road is ours to take
Let`s rock
I push the gas pedal
We`re burning rubber
RODNEY LOOK OUT|
Too late
RODNEY WAKE UP MAN!
What?
Where are we?
We`re still in Death Valley
Your car`s a total wreck
It`s a miracle we`re still alive
We both jumped out of the car before falling off the cliff
My safety belt was on
Me too
It`s a miracle than
Thank God!
We still have to reach Vegas
They`re getting married at the Luxor
The Egyptian theme casino?
Exactly
What a classy place
Sure is
A classy woman deserves a classy wedding
I`m such a moron
We all make mistakes my friend
I know but still
How long have we been walking?
I don`t know an hour perhaps
Let me look at the time
Damned I lost my watch
What time is it Rodney?
Gimme a second
Holly crap my watch is missing too
Doesn`t matter
We have to get there
Let`s go
You know Jerry
This is weird
What`s weird we`re in Death Valley
The sun is blazing
I`m not sweating
Me neither
Maybe it`s not so hot right now
Could be
The road seems to go on forever
There`s mountains around us
No wind
No sound
Nothing at all
It`s so peaceful man
I know
Feels like heaven here
Heaven in Death Valley?
I know sounds strange
Indeed
Where are we going Rodney?
We are going to…
Las Vegas that`s it
What for?
For…
Brenda that`s it
Have to tell her how much I love her
I have to get there at all costs
If it`s the last thing I do
I understand
Let`s go
We`re walking
And walking and walking
We don`t seem to be going nowhere
How long have we been walking Jerry?
I don`t know man
Where are we going?
We are going to…
Brenda that`s it
What for?
I have…
I have to see her one last time before I go
You do understand that Jerry
ARE YOU LISTENING TO ME?
I turn around
Jerry`s gone
JERRY!
JERRY!
WHERE ARE YOU MAN?
This is not funny man
Where are you?
Forget it
Gotta keep walking
And reach
Reach…
Love
Brenda I…
Love…
You so…
Much…
BRENDA!
Maybe there`s no heaven
Maybe there`s no hell
Perhaps
We`re all souvenirs
Destined to slowly fade away and disappear…
Friday, 11 December 2015
Various artists – transmissions from the planet dog (CD)
It was a cold Saturday
afternoon. I was on St-Hubert Street shopping with my good friend
Alexander Wheill. We enter Renaissance Montréal`s store. He`s looking at
some second hand DVD`s while I`m checking out the used cassettes / CD section.
While browsing I do a preliminary pile of stuff, it could be material which
caught my attention (for a reason or another) or that I might buy right now (or
never). This particular CD `transmissions from the planet dog` got my
attention. I don`t remember at the time if it was the cool cover, a double CD
compilation or the fact I never heard of any of the artists involved. I show the
compilation to Alex and I remember that he said. This is an old school techno
compilation it might be interesting. I figured for three dollars, it`s like a
buck fifty per CD what`s the risk here. I come back home and put it on my huge
pile of stuff to listen. The time has come, so let`s hear this shall we? It goes
like this four artists on two CD`s. The first one consists
of:
A – Eat Static; is an
electronic music project from Frome, Sommerset, England
formed in 1989 by Merv Pepler and Joie Hinton. They have five
tracks of old school techno with elements of goa, dub, trance and world music.
Standout track is # 3 `abduction` (7.55 minutes) = dub induced techno
going into goa territory.
B – Banco De Gaia is
Toby Marks a producer from Leamington, Spa, Uk.
There`s four songs of old school techno mixed with world music. I`m impressed by
# 7 `mafich arabi ` Arabic sounds / elements colliding with old school
techno, amazing music. On the second CD you`ll hear music from the likes
off:
C – Timeshard are a
Liverpool Uk-based band. They offer five tracks. They are a potent
mix of minimal, ambient techno, goa, and dub. There`s no standout tracks. To be
honest they all standout by themselves. I need to find more of Timeshard
`s music. Yes it`s definitely that good.
D – Children Of The Bong
(what a cool name) are a British electronic act. They have three songs of
dance floor oriented dub techno. An extremely interesting double CD compilation.
This one`s a keeper.Crackout – last in line (CD)
I bought this CD maxi-single for
2.00 $ at Renaissance Montréal. Crackout was a UK band, active
between 2001 until 2004. A trio consisting of Jack Dunkley, Nicholas
Millard and Steven Eagles. There`s four songs for a total running
time of 13.51 minutes. This was a rather short but sweet listening experience.
Their sound is an energetic mix of punk rock, indie and rock. The music recalls
The Ruts and especially early Buzzcocks. The third track `Joey
lost his mind`, goes into grungy territory. Imagine Blur and
Nirvana (with a less nihilist approach) blending altogether. The music`s
good but doesn`t work for me. I heard a lot of similar bands / artists before. A
limited edition a 500 copies. Comes in card envelope. Released in 2001 so this
CD`s long gone. Sorry about your damned
luck.
Friday, 4 December 2015
(Siro080) – Sven Meyer – the quiet (mp3)
Sirona is
an underground netlabel based in France. Active since march 2011, Sirona was
established to promote and release wide ranges of electronically developed music
from artist all around the world. They release various music styles:
electronica, IDM, techno, hardcore, drum & bass, glitch, minimal, dub, acid,
breakbeat, beakcore, drone, industrial, experimental, trip-hop, hip-hop,
new-wave, soundscape, ambient, noise, ambient darkwave, ambient noise, nu jazz,
etc, etc… This is their 80th release. The quiet
EP is my second Sven Meyer listening experience. I have to say
that I`m highly impressed here. This mini (four tracks = 19.00 minutes) album is
good. The songs are a potent mix of electronica, minimal, techno, and ambient.
If you`re into Thomas Brinkman and Plastikman you will like this
EP. You can find more information on his Soundcloud page:
Get it here:
Eonic – shadows (CD)
Eonic is a music duo by
two brothers (from Saint Petersburg, Russia): Mikhail Kalmykov (producer)
and Vladimir Kalmykov (keyboards). This is their third album. It came out
in 2006 on Oskeri Music. The record label folded a while back. Maybe you
can find this CD on sales on Ebay or discogs. You will hear ten
tracks on this album (51.45 minutes long). There`s different music styles on
this here recording: minimal ambience (intro, cyonide), ambient techno
(seven flows, shadows), droning minimal ambience (rebma),
dark ambient techno (corridor of mirrors), ambient darkwave (path of
fire), ambience going almost into new age territory (temple of the astral
light) and beautifully crafted downtempo (amber city,
Tyr-na-Nogtkn). I like this album it is peaceful, relaxing, meditative
music. Recommended if you can find
it.
Deep Forest – comparsa (CD)
This is the fifth Deep
Forest album, released in 1997. I agree it`s kinda dated. It cost me a
measly 2.00 $ at Renaissance Montréal. What can I say? I`m a sucker for
bargains. On this album, they do a potent mix of world music with lots of
experimentations, electronic, ambient and ethnic sounds. You will hear vocalists
(singing in their native language) from Cuba, Belize,
Mexico and Madagascar amongst other places. The vibe here focuses
on Caribbean and Latin grooves. There`s a nice use of the
accordion and some acoustic guitar as well. I liked the whole album. There`s
some songs who caught my attention big time, they are:
1 – Noonday sun (5.00
minutes) = song oriented world music + accordion = a good start, that`s for
sure.
3 – Madazulu (3.23
minutes) = electronic music + ethnic vocals + some vocoder + some accordion
again = we`ve got a winner here folks.
4 – 1716 (1.03 minutes) =
a short & sweet ambient interlude dedicated to Weather
Report.
9 – Radio Belize (3.58
minutes) = ethnic vocals + vocoder + really nice acoustic guitar works = pure
bliss. A good introduction to world music. Like Dimitri From Paris these
fine gentlemen come from France.
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