This time around mail art from parts unknown!!!
A collection of various reviews (mostly obscure music), collages, mail art, drawings, poems. My own, little slice of paradise if you will.
Sunday, 27 September 2015
Various Artists – silver label (CD)
I bought this at
Renaissance Montréal for 2.00 $. This CD comes inside a cool silver metal box.
This is an electronic music compilation featuring a good dose of local talents.
It`s not a recent release though, it came out in 2005. This a nice and long (14
tracks for a grand total of 70.50 minutes) electronic music compilation. It
offers various music styles: minimal electronica (L`Oreille Cassée), trip
hop (Curlee Peloso, Frivolous), IDM (Jay Hunsberger,
Akufen, Dante & Dhula, Mike Shannon), dance floor
groovy electronic music (Champion AKA DJ Champion), funky minimal house
(The Mole), chill-out electronica (Slumber), minimal house
(Orazio Fantini), and lo-fi song oriented electronica (Montag).
The first song done by L`oreille Cassée took my head off, amazing minimal
electronica with some lo-fi groovy elements thrown in, kinda short though (1.02
minutes). I would listen to this one all night. Anyways we`re always asking for
perfection whilst nobody`s perfect. You figure it out.
Your Life Has Been Deciphered For You – reformulate sacrosanct impulses (CD-R)
Since 1986,
`Your Life Has Been…For You `has been an international artist
collaboration arranged by Zan Hoffman (Zanstones,
Bodycocktail, ZH27). There`s no melody, no song structure, no
lyrics, therefore this is not music per se. There`s some noise bits, no harsh
noise, therefore it`s not a pure noise album either. It is an interesting
recording, there`s a nice blend of `musical` moments mixed with ambience, lo-fi
ambient noise, found sounds / samples, field recordings, sounds of unknown
origins, with a good dose of silence / minimalism included. Upon the first
listen, I thought that this was some type of improvised wanking / noodling. To
be honest after repeated listening, I can say, yes it does feel improvised, but
it`s also been edited. In fact it sounds pretty damned good, in it`s own
particular style. What style you might ask? I would say organized aural chaos
with homemade subtlety / sensitivity / serenity perhaps. For the curious, more
open minded music listener out there. I like it, therefore you should (just
kidding). Lots of freebies here: https://archive.org/details/zh27
Mourmansk150 – triumphant over your remains (CD)
It was a hot Sunday afternoon. I`m record hunting on Mont-Royal street, there`s a lot a great second hand record / book stores in that area. I`m scoping out the electronic music Cd`s when lo and behold, I see an Mourmansk150 CD. I`m always surprised when I find a noise recording in a second hand shop. Noise is not a popular style, except in Japan. This album was stuck between a Chemical Brothers and Moby CD`s. I look at the price 5.00 $, good deal I`m thinking. I give the CD to the cashier, ready to pay. He looks at the album, looks at me with a weird face and says:
- This is not music, it`s
noise.
- I know that, I like
noise.
- You like
noise?
- What you consider music could
be noise for me ears and vice-versa.
- I guess you`re right. Not too
many folks buy noise albums.
- Agreed.
- would you like me to put some
noise on the side for you?
- Thanks, but it`s not
necessary. I like to hear noise once in awhile. I like Mourmansk150.
They`re interesting.
- Ok then.
At the end of the day, I bought
ten albums. I come home all sweaty and all take a shower and lay down on me
couch. There`s thirteen songs of power electronics / experimental noise. While
not re-inventing the wheel, this is an interesting album. They use a potent mix
of noise + voice and / or power electronics + voice. I enjoyed the listening
experience. Standout tracks of the moment are:
5 – Untitled (20 seconds)
= nice short instrumental drone / noise bursts.
7 – Untitled (28 seconds)
= nice nearly ambient noise material.
9 – Untitled (4.53
minutes) = some type of banging going on + voice + lo-fi noise rumblings, I like
it, I like it, I like it. Other Mourmansk150 recordings I recommend (if
you can find them):
A – Témoignages et
documents (their first album various experimentations at work
here).
B – Autopsy (on Smell The
Stench).
http://www.smellthestench.net/
More information here: http://www.mourmansk150.org/index0.html
Here:
https://myspace.com/mourmansk150
And here:
http://nordwaves.fr/index.php?title=Mourmansk150
Friday, 18 September 2015
Sister Loolomie – signals (CD)
Sister Loolomie is a solo
project of (S), member of Exit In Grey (a Russian drone duo).
Another fine release from Zhelezobeton (limited edition of 250 copies).
There`s five tracks for a total running time of 48.54 minutes. What does it
sound like? Well, here`s a brief description.
1 – No final decision
here (13.53 minutes) = a collision of drones + ambient noise = subtle /
relaxing / peaceful, pure aural bliss.
2 – About corpuscles
(10.07 minutes) = ambient music with some nice lo-fi ambient noises = minimalism
never felt so good.
3 – Prelude and part about
pink dream (11.04 minutes) = minimal ambience / ambient noise + field
recordings and / or subtle drones = just what my ears
ordered.
4 – Sleep before the
alarm (6.00 minutes) = found sounds / samples, ambient noise with numerous
cutups = a challenging, but worthy listening experience.
5 – Light and cold (7.50
minutes) = peaceful rhythmic ambience. The conclusion of an almost perfect
album. Contact them for availability here: http://zhb.radionoise.ru/
Birds Build Nests Underground & Aranos - the mumps reflection (CD)
I recently got a parcel from
Petr Ferenc (Czech Republic) with a mini CD (Phaerentz –
Phaerentz) and a regular sized CD (this one). Birds Build Nests
Underground are a Prague-based trio working in the field of found sound
and vision. Aranos is a Bohemian singer and multi-instrumentalist (now
residing in the west of Ireland). The lineup on this album consists of Petr
Ferenc & Michal Brunclik (turntables and loops) and Aranos
(culco, shakuhachi, daxophone, santoor, straw, cimbalom and flugelhorn). `The
mumps refelections` (33.59 minutes) is the sole track on this album. This
track is not an easy / peaceful listening experience. It is a mixture of musique
concrete / electroacoustics / ambient noise i.e. highly experimental sounds are
at work here. The whole thing starts with some turntable fuckeries /
experimentations. It doesn`t sound like scratch / rap / hip hop at all (now
we`re getting somewhere). It sounds like an organized chaotic stew with lo-fi
noise loops, interesting. The loops / found sounds are slowly moving, slowly
evolving, shifting constantly. Unless you like repetition, you won`t have time
to actually get bored here. You`re getting sick of top twenty crap? The solution
is right here: http://www.bbnu.eu/
Kryptogen Rundfunk – live 2005 (CD)
Kryptogen Rundfunk is the solo music project of
Artyom Ostapchuk, from Russia. This live recording features two tracks,
which are:
1 – live at deep sound 18-11-2005 (19.52
minutes) = this one starts with some lo-fi droning ambient noise which slowly,
subtly mutates into an experimental / electroacoustic / ambient noise affair.
This piece doesn`t go in harsh noise territory (MSBR, Merzbow, you
name it). Which goes to prove that you don`t need to bludgeon my ears to get my
attention (good stuff).
2 – live at DOM 26-11-2005 (23.41 minutes) = it
begins with some really loud ambient noise, than it slowly transform itself into
a semi-conscious, hypnotizing slab of spacy ambient noise. There`s a nice use of
Russian voice samples here and there. Limited edition of 150 copies (mine reads
094 / 150). This came out on Zhelezobeton (also from Russia). They
release mostly experimental sounds and everything has a limited edition. I`m
fortunate enough to own a couple of them, which I deeply adore. More information
here; http://zhb.radionoise.ru/
and here: http://kr.radionoise.ru/
Sunday, 13 September 2015
Hermoso Moviento – CD (CD)
Another item that
was lost somewhere inside my huge pile of stuff to review. Never heard of
Hermoso Moviento before. I didn`t find much information on the internet
either. Hermoso comes from Buenos Aires, Argentina. His album came out in
2000. This falls under the category of experimental music. Every song has a
different style / flavor. In order to give you a proper idea, It`s better to
give a brief description of each track. Here goes:
1 – mendigando
amor (3.31 minutes) = a slightly warped re-interpretation / remix of an
Argentina pop song.
2 – dicho sin
palabras (4.30 minutes) = experimental electroacoustics.
3 – sentimiento
simultaneo de Fortaleza y fragilidad (5.04 minutes) = various animal
samples are processed beyond recognition thus creating a schizophrenic jungle
mood.
4 – mentalidad
de enemistad (3.56 minutes) = Argentinian instrumental music mixed with
various percussions and minimal parts.
5 – el ruido es
de los labio (4.03 minutes) = aural minimalism which slowly mutates into
experimental noise territory.
6 – reverbera
aun (6.33 minutes) = experimental noise with various bangings going
on.
7 – alrededor
desos manos (6.33 minutes) = various urban field recordings
perhaps.
8 – luces de
algun lagar (3.28 minutes) = my sound system and my computer can`t play this
track. Yovibro@hotmail.com
Akira Gonzales – Fujifilm (CD)
This was a donation from me good mate Alexander Wheill (he got this free when he was travelling the USA). I`m always up for free music, booze and food. I never heard of Akira Gonzales before, turns out he`s a local legend. I sit down, open a beer, and away we go. The first track `herr commandant`, is a brutal shock: a slightly noisy, bluesy, grungy (but infectious like hell) rock song. Mister Akira Gonzales is not afraid to mix things up and it shows. Every song is unique and possesses it`s own particular signature. Be it a bluesy acoustic ballad (new year), noisy grungy / blues / rock hybrid (China woman), indie / country / folk extravaganza (starting to believe), lo-fi indie pop (face is the same), acoustic folk (Fujifilm), distorted grunge / metal / sludgy guitar works (without you), and a dark, brooding, almost gothic song (sixteen). My spider sense is tingling. I can sense a couple of influences at work here: Green Magnet School, Pavement, Mudhoney, Terry Lee Hale, Current 93, Legendary Pink Dots, Sisters Of Mercy, and Sonic Youth (for those noisy, yet still melodic elements). Have no fear get it here: www.akiragonzales.bandcamp.co
Monday, 7 September 2015
Groinchurn – whoami (CD)
I have a huge pile
of music to review, it`s an ongoing project. This has been lying in the bottom
of my pile, for a very, very long time. Every time I looked at this CD, I don`t
know why but I didn`t feel like hearing this, until now. I thought that
Groinchurn was some kind of noise / experimental noise outfit. After
hearing this, all I can say is I`m completely wrong here. Groinchurn was
a South-African three-piece (Christo Bester - Bass + vocals, Mark
Chapman – Guitar + vocals and Sergio Christina – Drums)
formed in 1993. They disbanded in 2001. This is a short (14 songs =
44.10) but not sweet listening experience. The music is fast, abrupt, intense,
harsh, extreme, highly aggressive grindcore (with some crust punk elements
thrown in). If Carcass, Napalm Death, Deche-Charge and
Agathocles are your cup of tea, you will love this album. Even an old
noiser like me likes this. A particular standout track is `rotaludom`
which is an instrumental almost pop little number. More information here: http://www.discogs.com/artist/388753-Groinchurn
Erik Satie – the best of (CD)
I bought this at Renaissance Montréal for a measly three dollar. I
heard Erik Satie was a precursor of ambient music. I purchased it
out of sheer curiosity. Erik Satie (1866-1925) was a French composer and
pianist. To be honest I`m not much into piano. So far, I like the following
piano oriented music:
A – old jazz.
B – Johnny Fingers (The Boomtown Rats) performing `I don`t
like Mondays`.
C – Jools Holland doing an impressive piano solo on `uncertain
smile` (The The – soul mining,1983).
I`m sitting down, listening to this for the
first time, good stuff. I`m hearing simple (basic, stripped down) instrumental
melodies, using sometimes repetition, other times he uses silence (not abusing
it), thus creating light, beautiful minimal, nearly / almost ambient music. His
music possesses a beautiful melancholic some would say gothic style. I think
that perhaps some members of Sisters Of Mercy, The Cure and
Joy Division heard his music before. So before Robert Myles
`children`(1995), Brian Eno`s `ambient 1 – music for
airports `(1978) there was life after all. Which goes to show you that the
world keeps reinventing / recycling itself. When something new / fresh comes
out, look in the past it`s not that new. It`s all been done (Barenaked
Ladies) before. You can get it here free:
More freebies here:
https://archive.org/search.php?query=Erik%20Satie%20AND%20mediatype%3Aaudio
Painful Defecation – songs about Jesus volume 4 (mp3)
Another mini-album
(6 songs = 19.08 minutes) from the likes of Montréal`s own, Kurt
Beaulieu. Songs about Jesus part four is the final part of the
Jesus trilogy. This mini EP offers various styles of music / noise: lo-fi
ambient noise (echo processing, heavy mental, au pays des vulves),
lo-fi noise experimentations with percussions included (le docteur
flatula), and lo-fi minimal electronics / ambient noise
(guitares sarcastiques). My standout track this time around
is `les soeurs sister`, a weird mix of lo-fi minimalism,
eight bit techno with a good dose of sonic experimentations thrown in. It sounds
like eight bit techno music done with R2-D2 voice / sound samples. It`s
different, it`s weird, it`s out there, therefore I like it and you should too.
Get it here: http://painfuldefecation.bandcamp.com/album/songs-about-jesus-volume-4
Felix & The Buzzcatz – meowzaaa! (CD)
Last Friday night
my good buddy Alexander Wheill (Wreck Age Recordings) came
to my place for fun and drinks. He gave me a small bunch of CD`s (he was doing
some summer cleaning). I`m always up for freebies. I basically listen to almost
anything. He told me his wife bought this album at the dollar store. I never
bought music at the dollar store before, so I got curious and started hearing it
right away. I`m compulsive, what can I say. In life there`s always a good side
and a bad side, nothing is perfect. Regarding this CD, the good sides
are: good mix of boogie woogie, blues at times, contemporary / jazz swing.
All of them songs will make you feel like dancing, good production value, it`s
always entertaining, at first listen. After repeated listening the bad sides are
slowly coming / creeping out: most of the songs sound the same and the novelty
wears thin fast. It also brought back painful memories of almost forgotten one
hit wonders of the same period; Lou Bega`s `mambo #5` (1999) and
who could forget Jive Bunny & The Mastermixers `swing the
mood` (1990). Now you know why it`s sold at the dollar store. I`m putting
this CD on top of my `to give` pile (I will give you two dollars if you
help me get rid of it, you have to be fast though, this offer ends soon, oh, too
late, your loss, eh, eh, eh).
You Are The Illusion – you do not exist (CD)
Another CD Alexander
Wheill (Wreck Age Recordings) gave me some time ago.
Appearances sure are deceiving. There`s this black and red highly hypnotic /
psychedelic cover. As I look at it, and it got me thinking this is probably one
of those psychedelic / progressive / maybe folk (sure hope not) highly
forgettable albums. I used to get a lot of those when I was writing `Mastock
– the experimental music zine `. Which is one of the many reasons it folded.
Anyways, upon the first listen I`m quite surprised. Heck, I`m pleasantly
surprised, this is some good music. There`s ten tracks which, inserted in your
CD player sounds like one long (61.27 minutes) music piece. This track is
constantly moving / evolving / mutating / shifting into various sonic
territories: death ambience, lo-fi noise, ambient noise, ambient darkwave with
some ominous / bleak / dark undertones. Surprisingly this CD came out the same
year as my favorite Schloss Tegal album – the soul extinguished
(1991). Sheer coincidence or not, you decide. I would recommend this album if
you like, in no particular order: Mort Garson`s – black mass Lucifer
(1971), Nik Pascal – the sixth ear (1972), Morthound –
the goddess who could make the ugly world beautiful (1994) and
Aghast – hexerei im zwielicht der finsternis (1995). This
one`s a keeper folks.
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